Page:Acharnians and two other plays (1909).djvu/20

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2
Aristophanes' Plays

invention which belongs to the ancient comedy; in which a bodily form and action is given to those images which have no existence except in the forms of animated or fanciful language. "If a deity were to come down among the Athenians and propose to conclude a peace for them, they would not listen to him." This phrase is here exhibited in action; for the personage above mentioned is a demigod (descended immediately from Ceres herself, as he proves by a very rapid and confident recitation of his genealogy), but his offer of his services as a mediator are very ill received, and he very narrowly escapes being taken into custody.

The next persons who present themselves to the Assembly are two Envoys returned from a mission to the Court of Persia, which they have contrived to prolong for several years. They relate all the hardships which they had undergone in luxurious entertainments and in tedious journeys with a splendid equipage: they moreover had been detained by an unforeseen circumstance on their arrival at the capital. The state of things was such as Autolycus describes: "The King is not at the Palace, he is gone to purge melancholy and air himself:" but the King of Persia was not gone, like the King of Bohemia, "on board a new ship;" he was gone with a magnificent military retinue to the Golden Mountains, where, according to the Ambassadors' report, he continued for eight months in an unremitting course of cathartics. On his return to the Capital, they had the honour of being presented, and entertained at a most singular and marvellous banquet; finally, they had succeeded in their mission, and had brought with them a confidential servant of the Crown of Persia (a nobleman of high rank, though rather of a suspicious name), Shamartabas, commissioned to declare His Majesty's intention to the people of Athens. Shamartabas holds the distinguished office and title of the King's Eye: of course the mask which is assigned him is distinguished by an Eye of enormous size, the appearance of which and the gravity of gesture suited to such an exalted personage excite the rustic republican spleen of honest Dicæopolis. The communications of the great Persian Courtier, being in his own language and consequently unintelligible, are variously interpreted. Dicæopolis takes upon himself to question him peremptorily, and in the course of the examination discovers a couple of effeminate Athenian fops, disguised as Eunuchs, in his train; this discovery, however,