compromise in which the two shall be adjusted in proper relation is not an easy one. It is difficult to distinguish between the outward act of him who in following one legitimate claim has been led into the temporary violation of another, and the outward act of him who deliberately renounces a just claim and throws aside all obligation for the sake of his own selfish and individual development. The man, for instance, who deserts his family that he may cultivate an artistic sensibility, or acquire what he considers more fulness of life for himself, must always arouse our contempt. Breaking the marriage tie as Ibsen's "Nora" did, to obtain a larger self-development, or holding to it as George Eliot's "Romola" did, because of the larger claim of the state and society, must always remain two distinct paths. The collision of interests, each of which has a real moral basis and a right to its own place in life, is bound to be more or less tragic. It is the struggle between two claims, the destruction of either of which would bring
76
