wouldn’t even wait to see how things went. . . .
“I’m very tired. . . .I can’t write any more. . . .”
She had begun to sign herself Cinderella, but had crossed that out and written instead “Dulcie Duveen.”
It was an ill-written, blurred epistle but I have kept it to this day.
Poirot was with me when I read it. The sheets fell from my hand, and I looked across at him.
“Did you know all the time that it was—the other?”
“Yes, my friend.”
“Why did you not tell me?”
“To begin with, I could hardly believe it conceivable that you could make such a mistake. You had seen the photograph. The sisters are very alike, but by no means incapable of distinguishment.”
“But the fair hair?”
“A wig, worn for the sake of a piquant contrast on the stage. Is it conceivable that with twins one should be fair and one dark?”
“Why didn’t you tell me that night at the hotel in Coventry?”
“You were rather high-handed in your methods, mon ami,” said Poirot dryly. “You did not give me a chance.”
“But afterwards?”
“Ah, afterwards! Well, to begin with, I was hurt at your want of faith in me. And then, I wanted to see whether your—feelings would stand the test of time. In fact, whether it was love, or a flash in the pan, with you. I should not have left you long in your error.”
I nodded. His tone was too affectionate for me to bear resentment. I looked down on the sheets of the letter. Suddenly I picked them up from the floor, and pushed them across to him.
“Read that,” I said. “I’d like you to.”
He read it through in silence, then he looked up at me.
“What is it that worries you, Hastings?”
