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and go up to bed in the best bed-room, without a guide, or a light. Here are no
Rich windows that exclude the light,
And passages that lead to nothing.
A good deal also, I am willing to own, arises from association and national prejudices; some of our most delightful houses are built in this style, and they have, at all events within, signs of harmony in the style of decoration, and in the accessories. The gardens and out-buildings were often made more appropriate and better suited to the house than in any other architectural attempts that we have made; and, I believe, no Englishman ever fancied building a house that did not have the large bay window and the large fire-place (against all principles of good grates and Arnott's stoves I admit,) and the low groined passage and the panelled hall in his mind. But it seems you think it most difficult
"To reconcile
The willing graces to the Gothic pile,"
or rather say coy than willing. I beg you will not suppose I am opposing your views, all I mean is to canvass and to be sure that I understand them.
I have to repeat that I agree entirely that the style is best which is most susceptible of uniting the three arts; but I only wish to know why the Greek is most susceptible; and what is the kind of sculpture and painting you wish to unite; in order to see that such a union is suitable to our climate, and can be obtained at a reasonable cost, for you must bear in mind that I want to build a country-house, not a palace!
It is a long time since I was in Italy, and when I was there I did not pay so much attention to architecture as I should do, if I were to go over the same ground again, now that I have got a house to build; but there is a strong impression on my mind that the other parts of Europe may rival or surpass us in palaces and grand architectural monuments, yet that there is no country which would present so many good hints in domestic architecture as England; always referring to the great points, convenience, and comfort; for I own, as fitness is the guiding principles of all perfection in building, I conceive it essential in purely domestic architecture, that a character of fitness for habitation and comfort should always be prominent.
I am a great admirer of Balzac, and I think one of his best descriptions of still life is the account of the house in his "Recherche de l'absolu;" it is so
