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comprehensive as it might have been, and had sufficiently developed itself for those purposes which we now more especially require; since the perfection it did actually attain in the direction it took, ought to be sufficient to inspire the artist. It was not necessary that the latter should surrender up the freedom belonging to him as such, and confine himself to following Grecian motives and intentions. In fact, the peculiar charm,—the grace and freshness of Grecian architecture become withered as soon as we begin to treat it according to dry systematic rules. The Vitruvius, capable of legislating for it according to its genius and true spirit perhaps is not yet born! For indulging at such length in these somewhat abstract remarks upon style alone, I must again entreat your pardon. You ask for some more distinct and explicit ideas on the subject; and are apparently, like many others, of opinion, that the remains of a few temples, such as we behold in Stuart and Revett, comprise nearly the whole of Greek architecture. The chief point for our present consideration is, how far it had accommodated itself to buildings for domestic purposes: and here I must remind you that Pliny's description of his villas are still extant. It must, indeed, be confessed that those two residences do not belong to the epoch of Pericles; yet they belong nevertheless to that same series of actual Greek plans and constructions which have been preserved to us at Pompeii and Herculaneum, and which Sir W. Gell's tasteful delineations have rendered so familiar to all. Many remains of the same class in the vicinity of Rome, and more especially in the Golfo di Gaëta, at Puzzoli, and in the environs of Naples, sufficiently attest the fancy and variety with which the ancients availed themselves of the conditions imposed by peculiarities of ground and locality,—contrived to combine the advantages of coolness and shade on the one hand, with the glow of sunshine on the other; to provide a frame and foreground for the prospect from the house; and to produce happily imagined effects and picturesqueness of character by means of the irregularity and declivity of the ground.
Each of those ancient villas presents us with a new idea, and may be taken as an architectural study. Look, for instance, at those examples of the kind on the Lake of Albano and the Gulf of Gaëta, where the dwelling itself is connected with grottoes offering cool retreats, either for sitting in or for the purpose of baths, and upon entering which the visitor is so fascinated by the magic effect of reflected light from the water, that he almost fancies the whole scene to be a visionary and unearthly one. Water, it may be observed, either gushing in a stream, or exhibiting an expanded mirror-like
