Page:Amazing Stories Volume 02 Number 06.pdf/44

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THE COLOUR OUT OF SPACE
563

shouted huskily to Zenas for more wood. Wood, indeed, was sorely needed; since the cavernous fireplace was unlit and empty, with a cloud of soot blowing about in the chill wind that came down the chimney. Presently Nahum asked him if the extra wood had made him any more confortable, and then Ammi saw what had happened. The stoutest cord had broken at last, and the hapless farmer’s mind was proof against more sorrow.

Questioning tactfully, Ammi could get no clear data at all about the missing Zenas. “In the well—he lives in the well—” was all that the clouded father would say. Then there flashed across the visitor’s mind a sudden thought of the mad wife, and he changed his line of inquiry. “Nabby? Why, here she is!” was the surprised response of poor Nahum, and Ammi soon saw that he must search for himself. Leaving the harmless babbler on the couch, he took the keys from their nail beside the door and climbed the creaking stairs to the attic. It was very close and noisome up there, and no sound could be heard from any direction. Of the four doors in sight, only one was locked, and on this he tried various keys on the ring he had taken. The third key proved the right one, and after some fumbling Ammi threw open the low white door.

It was quite dark inside, for the window was small and half-obscured by the crude wooden bars; and Ammi could see nothing at all on the wide-planked floor. The stench was beyond enduring, and before proceeding further he had to retreat to another room and return with his lungs filled with breathable air. When he did enter he saw something dark in the corner, and upon seeing it more clearly he screamed outright. While he screamed he thought a momentary cloud eclipsed the window, and a second later he felt himself brushed as if by some hateful current of vapour. Strange colours danced before his eyes; and had not a present horror numbed him he would have thought of the globule in the meteor that the geologist’s hammer had shattered, and of the morbid vegetation that had sprouted in the spring. As it was he thought only of the blasphemous monstrosity which confronted him, and which all too clearly had shared the nameless fate of young Thaddeus and the livestock. But the terrible thing about the horror was that it very slowly and perceptibly moved as it continued to crumble.


Ammi would give me no added particulars of this scene, but the shape in the corners does not reappear in his tale as a moving object. There are things which cannot be mentioned, and what is done in common humanity is sometimes cruelly judged by the law. I gathered that no moving thing was left in that attic room, and that to leave anything capable of motion there would have been a deed so monstrous as to damn any accountable being to eternal torment. Anyone but a stolid farmer would have fainted or gone mad, but Ammi walked conscious through that low doorway and locked the accursed secret behind him. There would be Nahum to deal with now; he must be fed and tended, and removed to some place where he could be cared for.

Commencing his descent of the dark stairs, Ammi heard a thud below him. He even thought a scream had been suddenly choked off, and recalled nervously the clammy vapour which had brushed by him in that frightful room above. What presence had his cry and entry started up? Halted by some vague fear, he heard still further sounds below. Indubitably there was a sort of heavy dragging, and a most detestably sticky noise as of some fiendish and unclean species of suction. With an associative sense goaded to feverish heights, he thought unaccountably of what he had seen upstairs. Good God! What eldritch dream-world was this into which he had blundered? He dared move neither backward nor forward, but stood there trembling at the black curve of the boxed-in staircase. Every trifle of the scene burned itself into his brain. The sounds, the sense of dread expectancy, the darkness, the steepness of the narrow steps—and merciful Heaven!—the faint but unmistakable luminosity of all the woodwork in sight; steps, sides, exposed laths, and beams alike.

Then there burst forth a frantic whinny from Ammi’s horse outside, followed at once by a clatter which told of a frenzied runaway. In another moment horse and buggy had gone beyond earshot, leaving the frightened man on the dark stairs to guess what had sent them. But that was not all. There had been another sound out there. A sort of liquid splash—water—it must have been the well. He had left Hero untied near it, and a buggy-wheel must have brushed the coping and knocked in a stone. And still the pale phosphorescense glowed in that detestably ancient woodwork. God! how old the house was! Most of it built before 1700.

A feeble scratching on the floor downstairs now sounded distinctly, and Ammi’s grip tightened on a heavy stick he had picked up in the attic for some purpose. Slowly nerving himself, he finished his descent and walked boldly toward the kitchen. But he did not complete the walk, because what he sought was no longer there. It had come to meet him, and it was still alive after a fashion. Whether it had crawled or whether it had been dragged by any external forces, Ammi could not say; but the death had been at it. Everything had happened in the last half-hour, but collapse, greying, and disintegration were already far advanced. There was a horrible brittleness, and dry fragments were scaling off. Ammi could not touch it, but looked horrifiedly into the distorted parody that had been a face. “What was it, Nahum—what was it?” He whispered, and the cleft, bulging lips were just able to crackle out a final answer.

“Nothin’ . . . . . nothin’ . . . . . the colour . . . . . it burns . . . . . cold an’ wet, but it burns . . . . . it lived in the well . . . . . I seen it . . . . . a kind o’ smoke . . . . . jest like the flowers last spring . . . . . the well shone at night . . . . . Thad an’ Merwin an’ Zenas . . . . . everything alive . . . . . suckin’ the life out of everything . . . . . in that stone . . . . . it must o’ come in that stone . . . . .