old, rickety, wooden, three-story building. All this, I afterward learned, was part of the setting which Talaat had staged for his career. Like many an American politician, he had found his position as a man of "the people" a valuable political asset, and he knew that a sudden display of prosperity and ostentation would weaken his influence with the Union and Progress Committee, most of whose members, like himself, had risen from the lower walks of life. The contents of the house were quite in keeping with the exterior. There were no suggestions of Oriental magnificence. The furniture was cheap; a few coarse prints hung on the walls, and one or two well-worn rugs were scattered on the floor. On one side stood a wooden table, and on this rested a telegraph instrument — once Talaat's means of earning a living, and now a means by which he communicated with his associates. In the present troubled conditions in Turkey Talaat sometimes preferred to do his own telegraphing!
Amid these surroundings I awaited for a few minutes the entrance of the Big Boss of Turkey. In due time a door opened at the other end of the room, and a huge, lumbering, gaily-decorated figure entered. I was startled by the contrast which this Talaat presented to the one who had become such a familiar figure to me at the Sublime Porte. It was no longer the Talaat of the European clothes and the thin veneer of European manners; the man whom I now saw looked like a real Bulgarian gypsy. Talaat wore the usual red Turkish fez; the rest of his bulky form was clothed in thick gray pajamas; and from this combination protruded a rotund, smiling face. His mood was half genial, half deprecating; Talaat well understood what pressing
