THE LIBRARY OF CONGRESS
dingily garish in colour. Especially painful are the crude blue-and-yellow mosaic tiles of the corridors. The mural decorations belong to several artistic periods, all equally debased. On the whole, it is inconceivable that Congress should for long content itself with an abode which, without being venerable, is simply out of date. The main architectural proportions of the interior are dignified enough. What is wanted is merely the transmutation of stucco into marble, painted pine into oak, and pseudo-Italian arabesques into American frescoes and mosaics. Why should Congress itself be more meanly housed than its Library?
This new Library of Congress is certainly the crown and glory of the Washington of to-day. It is an edifice and an institution of which any nation might justly boast. It is simple in design, rich in material, elaborate, and for the most part beautiful, in decoration. The general effect of the entrance hall and galleries is at first garish, and some details of the decoration will scarcely bear looking into. Yet the building is, on the whole, in fresco, mosaic, and sculpture, a veritable treasure-house of contemporary American art. Even in this clear Southern climate, the effect of gaudiness will in time pass off. Fifty years hence, perhaps, when there are no living susceptibilities to be hurt, some of the less successful panels and medallions may be "hatched over again, and hatched different." But many of the decorations, I am convinced, will prove possessions
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