Page:American Journal of Psychology Volume 21.djvu/110

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100
JONES

death and the mother's second marriage, seemed to the world not to be causally related to each other, but they represented ideas which in Hamlet's unconscious fantasy had for many years been closely associated. These ideas now in a moment forced their way to conscious recognition in spite of all "repressing" forces, and found immediate expression in his almost reflex cry: "O my prophetic soul! My uncle?" For the rest of the interview Hamlet is stunned by the effect of the internal conflict in his mind, which from now on never ceases, and into the nature of which he never penetrates.

One of the first manifestations of the awakening in Hamlet's mind of the old conflict is the reaction against Ophelia. This is doubly conditioned, first by his reaction against woman in general, which culminates in the bitter misogyny of his outburst against her, 1[1] and secondly by the hypocritical prudishness with which Ophelia follows her father and brother in seeing evil in his natural affection, and which poisons his love in exactly the same way that the love of his childhood had been poisoned. On only one occasion does he for a moment escape from the sordid implication with which his love has been impregnated, and achieve a healthier attitude towards Ophelia, namely at the open grave when in remorse he breaks out at I,aertes for presuming to pretend that his feeling for Ophelia could ever equal that of her lover. The intensity of the previous repulsion against woman in general, and Ophelia in particular, is an index of the powerful "repression" to which his sexual feeling is being subjected. The outlet for that feeling in the direction of his mother has always been firmly dammed by the forces making for "repression," and, now that the thin outlet for it in Ophelia's direction has also been closed, the increase of desire in the original direction consequent on the awakening of early memories tasks all his energy to maintain the "repression."

It will be seen from the foregoing that Hamlet's attitude towards his uncle is far more complex than is generally supposed. He of course detests his uncle, but it is the jealous detestation of one evil-doer towards his successful fellow.


    two editorial articles entitled "Infant Murderers" in the Brit. Jour, of Children's Diseases (Nov., 1904, p. 510, and June, 1905, p. 270), I collected a series of such cases, and, mentioning the constant occurrence of jealousy between young children in the same family, pointed out the possible dangers arising from the non-realisation by children of the significance of death.

  1. Act III, Sc. I, 1. 149: "I have heard of your paintings too, well enough; God has given you one face, and you make yourselves another; you jig, you amble, and you lisp, and nickname God's creatures, and make your wantonness your ignorance. Go to, I '11 no more on't; it hath made me mad."