Page:American Journal of Psychology Volume 21.djvu/117

From Wikisource
Jump to navigation Jump to search
This page needs to be proofread.
EXPLANATION OF HAMLET'S MYSTERY
107

their elders. The senile nonentity, concealed behind a show of fussy pomposity, who has developed a rare capacity to bore his audience with the repetition of sententious platitudes in which profound ignorance of life is but thinly disguised by a would-be worldly-wise air; the prying busybody whose meddling is, as usual, excused by his "well-meaning" intentions, constitutes a figure that is sympathetic only to those who submissively accept the world's estimate concerning the superiority of the merely decrepit.

The second disturbing factor is that due to the interweaving of the main theme of jealousy and incest between parent and child with other allied ones of a similar kind. We noted above that in the simplest form of decomposition of the paternal attributes the tyrannical rôle is most often relegated to the grandfather. It is no mere chance that this is so, and it is not fully to be accounted for by incompleteness of the decomposition. There is a deeper reason why the grandfather is most often chosen to play the part of tyrant, and this will be readily perceived when we recollect the large number of legends in which he has previously interposed all manner of obstacles to the marriage of his daughter. He opposes the advances of the would-be suitor, sets in his way various apparently impossible tasks and conditions usually these are miraculously carried out by the lover, and even locks up his daughter in an inaccessible spot, as in the legends of Gilgamos, Perseus, Romulus, Telephos and others. The motive is at bottom that he grudges to give up his daughter to another man, not wishing to part with her himself (Father-daughter complex). When his commands are disobeyed or circumvented, his love for his daughter turns to bitterness, and he pursues her and her offspring with insatiable hate. We are here once more reminded of events that may be observed in daily life by those who open their eyes to the facts. When the grandson in the myth avenges himself and his mother by slaying her tyrannical father, it is as though he clearly realised the motive of the persecution, for in truth he slays the man who endeavoured to possess and retain the mother's affection; thus in this sense we again come back to the father, and see that from the hero's point of view the distinction between the' father and grandfather is not so radical as it at first sight appears. We perceive, therefore, that for two reasons the resolution of the original parent into a kind father and a tyrannical grandfather is not a very extensive one.

The foregoing considerations throw more light on the figure of Polonius in the present legend. In his attitude towards the relation between Ophelia and Hamlet are many of the traits that we have just mentioned to be characteristic of the Father-