lity or Disposition of being affected with every Sentiment, which he shares with his Fellow-creatures.
He observes the Actors to be animated by the Appearance of a full Audience; and rais'd to a Degree of Enthusiasm, which they cannot command in any solitary or calm Moment.
Every Movement of the Theatre, by a skillful Poet, is communicated, as it were by Magic, to the Spectators, who weep, tremble, resent, rejoice, and are enflam'd with all the Variety of Passions, which actuate the several Personages of the Drama.
Where any Event crosses our Wishes, and interrupts the Happiness of the favourite Personages, we feel a sensible Anxiety and Concern. But where their Sufferings proceed from the Treachery, Cruelty or Tyranny of an Enemy, our Breasts are affected with the liveliest Resentment against the Author of these Calamities.
'Tis here esteem'd contrary to the Rules of Art to represent any Thing cool and indifferent. A distant Friend, or a Confident, who has no immediate Interest in the Catastrophe, ought, if possible, to be avoided by the Poet; as communicating a likeIndif-
