Page:An Essay of Dramatic Poesy.djvu/141

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OF DRAMATIC POESY.
121

being so clearly proved, that it is past any shew of a reasonable denial, it will not be hard to destroy that other part of his argument which depends upon it; namely, that it is as impossible for a stage to represent two rooms or houses, as two countries or kingdoms; for his reason is already overthrown, which was, because both were alike impossible. This is manifestly otherwise; for it is proved that a stage may properly represent two rooms or houses; for the imagination being judge df what is represented, will in reason be less chocqu'd[1] with the appearance of two rooms in the same house, or two houses in the same city, than with two distant cities in the same country, or two remote countries in the same universe. Imagination in a man or reasonable creature is supposed to participate of reason; and when that governs, as it does in the belief of fiction, reason is not destroyed, but misled, or blinded: that can prescribe to the reason, during the time of the representation, somewhat like a weak belief of what it sees and hears; and reason suffers itself to be so hood-winked, that it may better enjoy the pleasures of the fiction: but it is never so wholly made a captive, as to be drawn headlong into a perswasion of those things which are most remote from probability: 'tis in that case a free-born subject, not a slave; it will contribute willingly its assent, as far as it sees convenient, but will not be forced. Now there is a greater vicinity in nature betwixt two rooms than betwixt two houses, betwixt two houses than betwixt

  1. Malone and Scott read 'choked.'