plays of our age, or regard the good plays[1] of the last, both the best and worst of the modern poets will equally instruct you to admire[2] the ancients.'
Crites had no sooner left speaking, but Eugenius, who had[3] waited with some impatience for it, thus began:
'I have observed in your speech, that the former part of it is convincing as to what the moderns have profited by the rules of the ancients; but in the latter you are careful to conceal how much they have excelled them; we own all the helps we have from them, and want neither veneration nor gratitude, while we acknowledge that, to overcome them, we must make use of the advantages we have received from them: but to these assistances we have joined our own industry; for, had we sat down with a dull imitation of them, we might then have lost somewhat of the old perfection, but never acquired any that was new. We draw not therefore after their lines, but those of nature: and having the life before us, besides the experience of all they knew, it is no wonder if we hit some airs and features which they have missed. I deny not what you urge of arts and sciences, that they have flourished in some ages more than others; but your instance in philosophy makes for me: for if natural causes be more known now than in the time of Aristotle, because more studied, it follows that poesy and other arts may, with the same pains, arrive still nearer to perfection; and, that granted, it will rest for you to prove that they wrought more perfect images of human life than we; which seeing in
