these liquors—in the gallery after practice night. Sometimes the strikes were against the conductor, or the first violin, and I have a recollection of one of the strikes being an emphatic one, when the fiddle-stick performed its part on the head of the flute, and the flute on the head of the fiddle.
There was a dear old rector I remember, who said once: "I never can be brought to believe that there will be music in heaven, for if there be music there, there must be choirs and orchestra; and if choirs and orchestra, then there can be no harmony."
The bickerings, the heart-burnings, in the west gallery were a constant source of trouble to the parson, and if he seized on a means of establishing peace by abolishing the orchestra, he was not altogether to blame.
The first stage in getting rid of the village orchestra was taken by the introduction of the barrel-organ. I can well recall that stage.
Now the barrel-organ had but a limited range of tunes. Our organ had a vein of lightness and wantonness in it. How this came about I do not know. But one of
