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differently, tragedies, comedies, or operas, with interludes and after-pieces; the dialogue is in Portuguese, but the words and music of the songs are Italian. The house is wretchedly fitted up, the scenes miserably daubed, and where foliage is required, branches of real trees are introduced; so that while the artificial scenery wears the gay livery of summer, the natural sometimes presents the appearance of autumnal decay. The viceroy is expected by the populace, to shew himself at the theatre every night: on his entering the house, the audience rise, turn their faces towards his box, and again sit down. In private companies, no person sits while he stands, unless at his request; thus unsocial formality is the price that greatness every where pays for vulgar admiration.