were told in Versailles that no bands had been allowed to play in the park in winter until 1907. They also ascertained that no music played at Versailles, or in the park, could have been heard at Trianon.
In the same month they searched through a great deal of unpublished music in the Conservatoire de Musique at Paris, and discovered that the twelve bars represented the chief motives of the light opera of the eighteenth century, excluding Rameau and his school, and that, as far as they could discover, nothing like them occurred in the opera of 1815 onward. They were found in Sacchini, Philidor, Monsigny, Grétry, and Pergolesi. Grammatical mistakes were found in Monsigny and Grétry.
Sacchini.
"Dardanus." General likeness.
"Œdipe à Colone." Number 6. Two bars intact in the key answering to that heard in 1902, allowing for the rise of a semi-tone, which had taken place since the eighteenth century. This was proved by later editions of operatic
