3. D'Hezecques describes a staircase which "conduisait au sommet de la roche," enabling persons to leave hurriedly. There is something like an ancient rock staircase attached to the back of the large rock, giving the name to the Rocher bridge.
4. He says that the grotto was very dark on first entering, and L'Espinasse's picture of the Belvédère in 1783 shows the opening to a cavern on its southern side close to the Rocher bridge,[1] which could be truly described as "venant du coté de la grotte." Could the rock out of which the cavernous mouth was cut have been lifted over the long bridge at some later time? for in L'Espinasse's picture there is no such rock over the bridge as there is now, and the cavern has disappeared.
5. The map of 1783 represents (according to Desjardins) "le projet de Mique complêtement exécuté." In it the figure (5) (indicating the grotto) occurs both at the "escargot" and also on the theatre side of the Belvédère.
In September, 1910, Miss Lamont was asked whether she had seen a map of the place recently placed in the front hall of the Petit
- ↑ Desjardins, picture, p. 196.
