closet various papers, books, copy-books, sighing and despairing, angry at his cold, stiff fingers—until at last! There was the blue, slightly grease-stained cover, his careful hand-writing, dried flowers, the stale, sourish odour of perfume—how young he had been at that time!
Mitrofan seated himself at the table and for a long time turned the leaves of the diary, but the desired place was not to be found. And he recalled that five years ago, when the police had searched Anton's house, he became so frightened that he tore out of his diary all the pages that might compromise him, and he burned them. It was useless to look for them—they were no more—they had been burned.
With lowered head, his face covered with his hands, he sat for a long time, motionless, before the desolate diary. But one candle was burning—it was unusually dark in the room, and from the black, formless chairs came the breath of cold, desolate loneliness. Far away in those rooms children were playing, shouting, laughing; in the dining-room tea was being served; people were walking, talking—while here all was silent as in a graveyard. If an artist had peeped into the room, felt this cold, gloomy darkness and noticed the heap of scattered papers and books, the dark figure of the man with his covered face, bent over the table in helpless grief—he would have painted a picture and would have called it "The Suicide."
