told his name, and claimed kindred. The old gentleman stood with his door half opened, put a few cool questions, and seemed to doubt the veracity of his story; but at length catching a glimpse of a gold watch-chain, he invited him to dinner. The pride of the young artist, however, had been deeply touched—he declined the invitation, and went his way. On reaching Rome, the friendless youth found his stock reduced to some twenty guineas; and dreading want, and what was worse, dependence, he set about mending his fortune with equal despatch and success. He modelled and carved in stone a bas-relief, which brought him ten guineas from England; and in the next year the Society of Arts voted him fifty guineas for his Timoclea before Alexander, which was in marble. He was now noticed by the artists of Rome, and lived on friendly terms with Barry, who was waging a useless and vexatious war with interested antiquarians and visitors of wealth and virtu. Indeed, such was the gentleness of his nature, and his mild and unassuming demeanor, that he never made enemies except amongst those who could have done no one credit as friends.
NOLLEKENS AND GARRICK.
During Nollekens' residence at Rome, Garrick
came one day into the Vatican, and observing the
young sculptor, said, "Ah! what? let me look at
you! You are the little fellow to whom we gave the
