"We are friends," said Ann Veronica, and drew her hand quickly away from him.
"To-night we are as we have always been. Except that this music we have been swimming in is divine. While I have been pestering you, have you heard it? At least, you heard the first act. And all the third act is love-sick music. Tristan dying and Isolde coming to crown his death. Wagner had just been in love when he wrote it all. It begins with that queer piccolo solo. Now I shall never hear it but what this evening will come pouring back over me."
The lights sank, the prelude to the third act was beginning, the music rose and fell in crowded intimations of lovers separated—lovers separated with scars and memories between them, and the curtain went reefing up to display Tristan lying wounded on his couch and the shepherd crouching with his pipe.
Part 2
They had their explanations the next evening, but they were explanations in quite other terms than Ann Veronica had anticipated, quite other and much more startling and illuminating terms. Ramage came for her at her lodgings, and she met him graciously and kindly as a queen who knows she must needs give sorrow to a faithful liege. She was unusually soft and gentle in her manner to him. He was wearing a new silk hat, with a slightly more generous brim than its predecessor, and it suited his type of face, robbed his dark eyes a little of their aggressiveness and gave him a solid and dignified
