Page:Anthology of Japanese Literature.pdf/185

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TALE OF THE HEIKE
181

but there was no help for it; weeping bitterly he cut off the boy’s head. “Alas!” he cried, “what life is so hard as that of a soldier? Only because I was born of a warrior family must I suffer this affliction! How lamentable it is to do such cruel deeds!” He pressed his face to the sleeve of his armor and wept bitterly. Then, wrapping up the head, he was stripping off the young man’s armor when he discovered a flute in a brocade bag. “Ah,” he exclaimed, “it was this youth and his friends who were amusing themselves with music within the walls this morning. Among all our men of the Eastern Provinces I doubt if there is any one of them who has brought a flute with him. How gentle the ways of these courtiers!”

When he brought the flute to the Commander, all who saw it were moved to tears; he discovered then that the youth was Atsumori, the youngest son of Tsunemori, aged sixteen years. From this time the mind of Kumagai was turned toward the religious life.[1]

THE FIGHT AT DAN NO URA[2]

Yoshitsune, after his victory at Yashima, crossed over to Suwo to join his brother. Just at this time the High Priest of Kumano, who was under great obligations to the Heike, suddenly had a change of heart and hesitated as to which side he should support. He went to the shrine of Imakumano at Tanabe and spent seven days in retirement there, having sacred dances performed and praying before the deity. He received as a result an oracle commanding him to adhere to the white banner,[3] but he was still doubtful. He then held a cock-fight before the shrine, with seven white cocks and seven red ones; the red cocks were all beaten and ran away. He therefore made up his mind to join the Genji.

Assembling all his retainers, to the number of some two thousand men, and embarking them on two hundred ships of war, he put the emblem of the deity of the shrine on board his ship, and painted the name of the Guardian God on the top of his standard. When this

  1. He became the priest Rensei, as is related in the play “Atsumori.”
  2. This section has been considerably abbreviated.
  3. White was the color of the Genji, and red of the Heike.