Page:Anthology of Japanese Literature.pdf/279

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Birds of Sorrow
275
(There has been a slight pause on the stage, during which time the Monk is understood to be traveling to Michinoku. Now he goes to the Name-Saying Seat, where he turns and addresses the actor who has been sitting motionless at the Kyōgen’s Seat during Part I.)

Monk: Are you a native of Soto no Hama?

(The Villager rises and stands on the Bridge near the First Pine. He is wearing a simple plaid kimono and a kamishimo of brocade.)

Villager: Yes, I am. May I help you?

Monk: Please show me the house here of the hunter who died last autumn.

Villager: Why, of course. The dead hunter’s house is that one you see there inside that high stockade made of crisscrossed bamboo. You can reach it in a moment if you please.

Monk: I understand. Thank you for your kindness. I shall go there at once and pay a visit.

Villager: If there is anything else I can do for you, please say so.

Monk: Thank you very much.

Villager: You are very welcome.

(The Villager resumes his seat. Later he makes an unobtrusive exit.)

Part II

Place: The home of the dead Hunter, both the interior and exterior being understood to be visible.

(The Monk has moved to the Stage Attendant’s Pillar, where he pauses. The Wife speaks, as if to herself, from her seat at the Waki’s Pillar.)

Wife: Truly, long have I known this world to be a fleeting thing, becoming dreamlike even as it passes. But now more than ever before.