Evangeliste, Petri et Pauli Apostolorum, et Benedicti Abbatis. Aliud altare in choro, a dextris, in honore Sanctorum Wolstani et Thome Herfordensis. Aliud in choro, a sinistris, in honore Sanctorum Edwardi Regis et Confessoris, et Egidii Abbatis. Quartum, in honore Petri et Pauli, et omnium Apostolorum, Sancte Katerine et omnium virginum. Quintum, in honore Sancti Laurencii, et omnium martirum, et Saneti Nicholai, et onmium confessorum. Sextum, in honore beate Marie virginis, et Sancte Anne, matris ejusdem. Et septimum, in honore Jesu Christi, Sancte Ursule, et undecim milia virginum."
The period, therefore, at which the work had so far progressed that the services of the church might take place in the choir of the new fabric, was the year 1460. It is worthy of observation, that in the great eastern window, a careful observer may discern, here and there, scattered as if irrespectively of any original design in the painted glass, several large white roses and radiant suns, which appear to be allusive to Edward IV, They seem to have been inserted in various places, after the window had been filled with painted glass, as they manifestly do not accord with the propriety of the design, which consists of subjects of New Testament history. The painted glass to which the present notice chiefly relates, namely, that which has been preserved in the northern clerestory windows of the choir, may be assigned to this same period, the later part of the reign of Henry VI., or commencement of that of Edward IV. There is a great pre- dominance of white glass, according to a prevalent fashion of the time: the skies are richly diapered, the alternate panes, or compartments, being red and blue; the figures are slightly shaded, but scarcely any colour, with the exception of yellow, is introduced.
It is not very easy to fix the positions of the seven altars, described in the record of their consecration. The high Altar, dedicated in honour of the Blessed Virgin, St. Michael the archangel, St. John the Evangelist, St. Peter, St. Paul, and St. Benedict, occupied the position wherein now is placed the altar-table. The two altars which are described as in the choir, were, probably, one at the eastern extremity of the north aisle thereof, dedicated in honour of St. Edward the Confessor, and St. Giles; and the second on the other side, where is now a vestry; this was dedicated in honour of St. Wolstan, and St. Thomas of Hereford. The fourth, dedicated in honour of St. Peter and St. Paul, may have been in one of the
