Page:Archaeological Journal, Volume 3.djvu/232

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204
OBSERVATIONS ON THE PROGRESS OF THE

does not appear, in his catalogue of names of artists employed on Henry the Seventh's chapel, to have noticed the name of any foreigner engaged on that work, with the exception of Torregiano. He mentions master Pageny, who supplied a "patrone" for the marble tomb, Lawrence Ymber, carver, Humfray Walker, founder, and Nicholas Ewen, copper-smith and gilder[1].

Torregiano appears by the records to have been employed nearly five years on the bronze tomb of Henry only, placed within the chapel[2]. We may, however, reasonably conclude, from the character and draperies of the minor statues, and other decorations of that magnificent production, that the native artists had profited by the presence of so experienced a man.

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Statues from the entrance porch of the Guildhall.

  1. See Britton's Archit. Antiqu., vol. ii. In the same document, cited by Britton, mention occurs of Drawswerd, sheriff of York, apparently an artist of the same period, and James Hales who made a wooden "patren" for an image of copper, for the earl of Derby.
  2. Agreements between the executors and "Peter Torrysarry" of Florence, graver, A.D. 1516: Archit. Antiq., ii. 23.