"The laugh is gone out of my heart, which at any rate used to feel protected. That feeling's gone, too. And I myself will have to die some day."
"Certainly," said Mills in an unaltered voice. "As to this body you …"
"Oh, yes! Thanks. It's a very poor jest. Change from body to body as travellers used to change horses at post houses. I've heard of this before.…"
"I've no doubt you have," Mills put on a submissive air. "But are we to hear any more about Azzolati?"
"You shall. Listen. I had heard that he was invited to shoot at Rambouillet—a quiet party, not one of these great shoots. I hear a lot of things. I wanted to have a certain information, also certain hints conveyed to a diplomatic personage who was to be there, too. A personage that would never let me get in touch with him though I had tried many times."
"Incredible!" mocked Mills solemnly.
"The personage mistrusts his own susceptibility. Born cautious," explained Doña Rita crisply with the slightest possible quiver of her lips. "Suddenly I had the inspiration to make use of Azzolati, who had been reminding me by a constant stream of messages that he was an old friend. I never took any notice of those pathetic appeals before. But in this emergency I sat down and wrote a note asking him to come and dine with me in my hotel. I suppose you know I don't live in the Pavilion. I can't bear the Pavilion now. When I have to go there I begin to feel after an hour or so that it is haunted. I seem to catch sight of somebody I know behind columns, passing through doorways, vanishing here and there. I hear light footsteps behind closed doors … My own!"
