on the off side by that Henry Allègre mounted on a dark brown powerful weight carrier; and on the other by one of Allègre's acquaintances (the man had no real friends), distinguished frequenters of that mysterious Pavilion. And so that side of the frame in which that woman appeared to one down the perspective of the great Allée was not permanent. That morning when Mr. Blunt had to escort his mother there for the gratification of her irresistible curiosity (of which he highly disapproved) there appeared in succession, at that woman's or girl's bridle-hand, a cavalry general in red breeches, on whom she was smiling; a rising politician in a grey suit, who talked to her with great animation but left her side abruptly to join a personage in a red fez and mounted on a white horse; and then, some time afterwards, the vexed Mr. Blunt and his indiscreet mother (though I really couldn't see where the harm was) had one more chance of a good stare. The third party that time was the Royal Pretender (Allègre had been painting his portrait lately), whose hearty, sonorous laugh was heard long before the mounted trio came riding very slowly abreast of the Blunts. There was colour in the girl's face. She was not laughing. Her expression was serious and her eyes thoughtfully downcast. Blunt admitted that on that occasion the charm, brilliance, and force of her personality was adequately framed between those magnificently mounted, paladin-like attendants, one older than the other but the two composing together admirably in the different stages of their manhood. Mr. Blunt had never before seen Henry Allègre so close. Allègre was riding nearest to the path on which Blunt was dutifully giving his arm to his mother (they had got out of their fiacre) and wondering
