door—the door from the death house to the death chamber.
While Kennedy was talking to the prisoner, a guard volunteered to show me the death chamber and the "chair." No other furniture was there in the little brick house of one room except this awful chair, of yellow oak with broad, leather straps. There it stood, the sole article in the brightly varnished room of about twenty-five feet square with walls of clean blue, this grim acolyte of modern scientific death. There were the wet electrodes that are fastened to the legs through slits in the trousers at the calves; above was the pipe-like fixture, like a gruesome helmet of leather that fits over the head, carrying the other electrode.
Back of the condemned was the switch which lets loose a lethal store of energy, and back of that the prison morgue where the bodies are taken. I looked about. In the wall to the left toward the death house was also a door, on this side yellow. Somehow I could not get from my mind the fascination of that door—the threshold of the grave.
Meanwhile Kennedy sat in the little cage and talked with the convicted man across the three-foot distance between cell and screen. I did not see him at that time, but Kennedy repeated afterward what passed, and it so impressed me that I will set it down as if I had been present.
Sanford Godwin was a tall, ashen-faced man, in the prison pallor of whose face was written the determination of despair, a man in whose blue eyes was a queer, half-insane light of hope. One knew that if it had not been for the little woman at the window at
