their methods, their convictions and records, their associates and hang outs. He carried his own gallery under his own hat, and he was proud of it. His memory was good, and he claimed always to know his man. His intuitions were strong, and if he disliked a captive, that captive was in some way guilty—and he saw to it that his man did not escape. He was relentless, once his professional pride was involved. Being without imagination, he was without pity. It was, at best, a case of dog eat dog, and the Law, the Law for which he had such reverence, happened to keep him the upper dog.
Yet he was a comparatively stupid man, an amazingly self-satisfied toiler who had chanced to specialize on crime. And even as he became more and more assured of his personal ability, more and more entrenched in his tradition of greatness, he was becoming less and less elastic, less receptive, less adaptive. Much as he tried to blink the fact, he was compelled to depend more and more on the office behind him. His personal gallery, the gallery
