Of Mural Painting.
Painting" has come to be looked upon as figure painting (in fact, the human figure exclusively) on walls—and no other sort of objects can sufficiently impart that dignity to a building which it seems to crave for. I can think of no valid reason why a set of rooms, or walls, should not be decorated with animals in lieu of "humans," as the late Mr. Trelawney used to call us: one wall to be devoted to monkeys, a second to be filled in with tigers, a third to be given up to horses, etc. etc. I know men in England, and, I believe, some artists, who would be delighted with the substitution. But I hope the general sense of the public would be set against such subjects, and the lowering effects of them on every one, and the kind of humiliation we should feel at knowing them to exist.
I have been informed that in Berlin
