Of Mural Painting.
painting, and painted with common oil-colours flatted (or matted) afterwards by gum-elemi and spike-oil. Or the canvas may be prepared with the Gambier-Parry colour and painted in that very mat medium. The canvases should if possible be fine in texture, as better adapted for adhering to the wall. The advantage of this process is that, should at any time, through neglect, damp invade the wall, and the canvas show a tendency to get loose, it would be easy to replace it; or the canvas might be altogether detached from the wall and strained as a picture.
I must now return to the choice of subject, a matter of much importance, but on which it is difficult to give advice. One thing, however, may be urged as a rule, and that is, that very dark or Rembrandtesque subjects are particularly unsuited for mural paintings. I cannot
