Of Mural Painting.
religious peoples ever known, and yet their art is singularly deficient in this quality. Were there ever two great painters as wanting in the sacred feeling as Velasquez and Murillo? and yet, in all probability, they were more religious than ourselves.
It only remains for me to point to the fact that mural painting, when it has been practised jointly by those who were at the same time easel-painters, has invariably raised those painters to far higher flights and instances of style than they seem capable of in the smaller path. Take the examples left us, say by Raphael and Michel Angelo, or some of the earlier masters, such as the "Fulminati" of Signorelli, compared with his specimens in our National Gallery; or the works left on walls by even less favoured artists, such as Domenichino and Andrea del Sarto, or the French de la Roche's
