Of Dyeing as an Art.
and note the reds in them, you will have the measure of the relative permanence of kermes and "Brazil," the tapestry reds being all dyed with kermes, and still retaining the greater part of their colour. The mediæval dyers must be partly excused, however, because "Brazil" is especially a silk dye, kermes sharing somewhat in the ill qualities of madder for silk; though I have dyed silk in kermes and got very beautiful and powerful colours by means of it.
Yellow dyes are chiefly given us by weld (sometimes called wild mignonette), quercitron bark (above mentioned), and old fustic, an American dye-wood. Of these weld is much the prettiest, and is the yellow silk dye par excellence, though it dyes wool well enough. But yellow dyes are the commonest to be met with in nature, and our fields and hedgerows bear plenty of greening-weeds, as our
