Of Book Illustration and Book Decoration.
can be made, and that is in the case of William Blake.
The inherent conditions of book decoration point to the line drawn by hand, and reproduced, either by wood-engraving or by direct facsimile process, as its proper method. Indeed, the ideal of paginal beauty would be reached by leaving both the text and the illustrative design to hand, if not to one hand. This, however, is out of the question; the cost alone is prohibitive. The point for the book-decorator to consider is, what sort of line will range best with the type. In the case of the second division of our classification, which, in default of a better name, may be called "record work," it is impossible to apply to the line the amount of abstraction and selection which would be necessary in pure design. To do so, for instance, in the case of an architectural illustration, would destroy
