Of Book Illustration and Book Decoration.
not disregarding the type, but using it as in itself a means of obtaining texture and scale and distributed effect. The type is, as it were, the technical datum of the design, which determines the scale of the line to be used with it. With a wiry type no doubt a wiry drawing is desirable, but the types of the great periods of printing are firm in outline and large and ample in distribution. Assuming, then, that one of these types can be used, the line of the accompanying design should be strongly drawn, and designed from end to end with full allowance for the white paper. No better model can be followed than Dürer's woodcuts. The amount of work which Dürer would get out of a single line is something extraordinary, and perhaps to us impossible; for in view of our complex modern ideas and total absence of tradition, probably no modern designer can hope to
