Of Designs and Working Drawings.
they almost invariably come from the workshop or factory, would make a very poor show—which may be an argument against exhibiting them at all. Certainly it is a reason for mending, cleaning, and mounting them, and putting them in some sort of frame (for what is not worth the pains of making presentable is not worth showing), but that is a very different thing from working designs up to picture pitch.
When all is said, designs, if exhibited, appeal primarily to designers. We all want to see each other's work, and especially each other's way of working; but it should not be altogether uninteresting to the intelligent amateur to see what working drawings are, and to compare them with the kind of specious competition drawings by which he is so apt to be misled.
