Of the Revival of Design and Handicraft
purely conjectural matter from first to last.
Under such conditions it is hardly surprising that the arts of design should have declined, and that the idea of art should have become limited to pictorial work (where, at least, the artist may be known, in some relation to his public, and comparatively free).
Partly as a protest against this state of things, and partly to concentrate the awakened feeling for beauty in the accessories of life, the Arts and Crafts Exhibition Society commenced their work.
The movement, however, towards a revival of design and handicraft, the effort to unite—or rather to re-unite—the artist and the craftsman, so sundered by the industrial conditions of our century, has been growing and gathering force for some time past. It reflects
