Intarsia and Inlaid Wood-work.
and to polish and varnish the surface, and it is then ready to be framed into its place as the back of a church stall, or the lining of a courtly hall, library, or cabinet.
It was thus that the simpler Italian Intarsia was done, such as that in the dado surrounding Perugino's Sala del Cambio in his native city, where the design consists of light arabesques in box or some similar wood on a walnut ground, defined by black lines just as I have described.
But like all true artists the Intarsiatore did not stand still. Having successfully accomplished simple outline and accurate drawing, he was dissatisfied until he could carry his art farther by introducing the refinement of shading. This was done at different times and by different artists in a variety of ways; either by inlaying the shadow in different kinds of
