have been developed, but all such attempts have been failures. But here, in the Maya alphabet, we are not only able to extract from the heart of the hieroglyphic the typical sign for the sound, but we are able to go a step farther, and, by means of the inscriptions upon the monuments of Copan and Palenque, deduce the alphabetical hieroglyph itself from an older and more ornate figure; we thus not only discover the relationship of the European alphabet to the American, but we trace its descent in the very mode in which reason tells us it must have been developed. All this proves that the similarities in question did not come from Phœnicians having accidentally visited the shores of America, but that we have before us the origin, the source, the very matrix in which the Phœnician alphabet was formed. In the light of such a discovery the inscriptions upon the monuments of Central America assume incalculable importance; they take us back to a civilization far anterior to the oldest known in Europe; they represent the language of antediluvian times.
It may be said that it is improbable that the use of an alphabet could have ascended to antediluvian times, or to that prehistoric age when intercourse existed between ancient Europe and America; but it must be remembered that if the Flood legends of Europe and Asia are worth anything they prove that the art of writing existed at the date of the Deluge, and that records of antediluvian learning were preserved by those who escaped the Flood; while Plato tells us that the people of Atlantis engraved their laws upon columns of bronze and plates of gold.
There was a general belief among the ancient nations that the art of writing was known to the antediluvians. The Druids believed in books more ancient than the Flood. They styled them "the books of Pheryllt," and "the writings of Pridian or Hu." "Ceridwen consults them before she prepares the mysterious caldron which shadows out the awful catastrophe of the Deluge." (Faber's "Pagan Idolatry," vol. ii., pp. 150, 151.)
