Grove Mr. David Pawling wrote in January, 1805: "To-day I saw the swiftest skater I ever beheld; backwards and forwards he went like the wind, even leaping over large air-holes fifteen or more feet across, and continuing to skate without an instant's delay. I was told he was a young Frenchman, and this evening I met him at a ball, where I found his dancing exceeded his skating; all the ladies wished him as partner; moreover, a handsomer man I never saw, his eyes alone command attention; his name, Audubon, is strange to me."
Abroad it was the same; Mr. Rathbone speaks of "his beautiful expressive face," as did Christopher North, and so on until the beauty of youth and manhood passed into the "magnificent gray-haired man."
But "the gay young Frenchman who danced with all the girls," was an old man now, not so much as the years go, but in the intensity of his life. He had never done anything by halves; he had played and worked, enjoyed and sorrowed, been depressed and elated, each and all with his highly strung nature at fever heat, and the end was not far. He had seen the accomplishment of his hopes in the "Birds," and the "Quadrupeds" he was content to leave largely to other hands; and surely no man ever had better helpers. From first to last his wife had worked, in more ways than one, to further the aim of his life; Victor had done the weary mechanical business work; John had hunted, and preserved specimens, taken long journeys—notably to Texas and California—and been his father's travelling companion on more than one occasion. Now the time had come when he no longer led; Victor had full charge of the publication of the "Quadrupeds," besides putting in many of the backgrounds, and John painted a large proportion of the animals. But I think that none of them regarded their work as individual,—it was always ours, for father and sons were comrades and friends; and with Dr. Bachman's
