September 20. I had the pleasure of seeing old Redouté this morning, the flower-painter par excellence. After reading Le Sueur's note to him, dated five years ago, he looked at me fixedly, and said, "Well, sir, I am truly glad to become acquainted with you," and without further ceremony showed me his best works. His flowers are grouped with peculiar taste, well drawn and precise in the outlines, and colored with a pure brilliancy that depicts nature incomparably better than I ever saw it before. Old Redouté dislikes all that is not nature alone; he cannot bear either the drawings of stuffed birds or of quadrupeds, and evinced a strong desire to see a work wherein nature was delineated in an animated manner. He said that as he dined every Friday at the Duke of Orleans', he would take my work there next week, and procure his subscription, if not also that of the Duchess, and requested me to give him a prospectus. I looked over hundreds of his drawings, and found out that he sold them well; he showed me some worth two hundred and fifty guineas. On my way to the Comte de Lasterie, I met the under secretary of the King's private library, who told me that the Baron de la Bouillerie had given orders to have my work inspected and if approved of to subscribe to it. I reached the Comte de Lasterie's house, found him half dressed, very dirty, and not very civil. He was at breakfast with several gentlemen, and told me to call again, which I will take into consideration. I must not forget that in crossing the city this morning I passed through the flower market, a beautiful exhibition to me at all times. This market is abundantly supplied twice a week with exotics and flowers of all sorts, which are sold at a cheap rate.
September 21. The weather is still beautiful, and Parker and I took the omnibus at the Pont des Arts, which vehicle, being Sunday, was crowded. I left Parker to make a second sitting with Cuvier, and went to the Jardin du Roi, already filled with pleasure-seekers. I took a seat beside
