his wife, from whom he was now absent, had any faith in him or his genius. He never became indifferent, as most of us do, to the coldness of those who had in earlier days sought him, not for what he was, but for what he had. Chivalrous, generous, and courteous to his heart's core, he could not believe others less so, till painful experiences taught him; then he was grieved, hurt, but never imbittered; and more marvellous yet, with his faith in his fellows as strong as ever, again and again he subjected himself to the same treatment. This was not stupidity, nor dulness of perception; it was that always, even to the end, Audubon kept the freshness of childhood; he was one of those who had "the secret of youth;" he was "old in years only, his heart was young. The earth was fair; plants still bloomed, and birds still sang for him."[1] It has been hard for me to keep from copying much from this journal, but I have felt it too sacred. Some would see in it the very heart of the man who wrote it, but to others—and the greater number—it would be, as I have decided to leave it, a sealed book.
Early in March, 1824, Audubon left Shippingport for Philadelphia, Victor remaining in the counting-house of Mr. Berthoud. He had some money, with which he decided to take lessons in painting either from Rembrandt Peale or Thomas Sully. He much preferred the latter both as artist and friend, and he remained in Philadelphia from April until August of the same year. This visit was marked by his introduction to Charles Lucien Bonaparte[2]
- ↑ (With slight alterations) from "Bird Life," by F. M. Chapman, 1897, P. 13.
- ↑ Prince of Musignano, and subsequently a distinguished ornithologist. In March, 1824, Bonaparte was just publishing his "Observations on the Nomenclature of Wilson's Ornithology," which ran through the "Journal of the Academy of Natural Sciences," of Philadelphia, from April 5, 1824, to Aug. 25, 1825, in five parts. This was preliminary to Bonaparte's "American Ornithology," which appeared in four quarto vols., 1825-33, to his "Synopsis," of 1828, and to his "Comparative List," of 1838.—E. C.
