here true humanity. The philosopher is a sculptor, however paradoxical it may sound."
Olympia, too, was ready to fall in with his humor, but she turned, not to Oldenburg, but to Spinoza, and said:
"Many ways lead to Rome, also to the Rome of free thought. Each one works out the given material, according to his custom and requirements. I will prove to you that I understand you. When you say we have as clear an idea, but not as clear an image of God as of a triangle, I translate it to myself thus: there are no pure notes; each tone comprises several different ones as it is struck, swells, and dies away. We cannot perceive the pure note, it is too fine for us. Even so we can, in the thought of God, form only an ideal, not an image."
Spinoza said at last, smiling:
"I would only explain still further, that though we feel ourselves one with the infinite, the degrees of consciousness of the innate divine power are yet infinitely different. Above all we must lay aside that pride of humanity that regards everything around it as mere means, and itself alone as the end and aim; that values everything only in its relation to itself—the supposed turning-point. Everything in the world consists of means and end combined."
"I follow the banner of my generalissimo," inter-