every day but the seventh was spent in the National Gallery, copying Turner's pictures in oil and water colors. So busy, so happy, so wrapt up in delightsome work, that food and sleep seemed impertinencies, friends were forgotten, pleasuring had no charms, society no claims, and life was one joyful progress from the blue Giudecca to the golden Sol de Venezia, or the red glow of the old Temeraire. "Van Tromp entering the mouth of the Texel" was more interesting to her than any political event transpiring in the world without; ancient Rome eclipsed modern London, and the roar of a great city could not disturb the "Datur Hora Quieti" which softly grew into beauty under her happy brush.
A spring-tide trip to Stratford, Warwick, and Kenilworth was the only holiday she allowed herself; and even this was turned to profit; for, lodging cheaply at the Shakespearian baker's, she roamed about, portfolio in hand, booking every lovely bit she saw, regardless of sun or rain, and bringing away a pictorial diary of that week's trip which charmed those who beheld it, and put money in her purse.
When the year was out, home came the artist, with half her little fortune still unspent, and the one trunk nearly as empty as it went, but there were
