"I meant, rather, the very interesting general truth that is contained in Britton's statement; that physiognomy is not a mere matter of facial character. A man carries his personal trademark, not in his face only, but in his nervous system and muscles—giving rise to characteristic movements and gait; in his larynx—producing an individual voice; and even in his mouth, as shown by individual peculiarities of speech and accent. And the individual nervous system, by means of these characteristic movements, transfers its peculiarities to inanimate objects that are the products of such movements; as we see in pictures, in carving, in musical execution and in handwriting. No one has ever painted quite like Reynolds or Romney; no one has ever played exactly like Liszt or Paganini; the pictures or the sounds produced by them, were, so to speak, an extension of the physiognomy of the artist. And so with handwriting. A particular specimen is the product of a particular set of motor centers in an individual brain."
"These are very interesting considerations, Thorndyke," I remarked; "but I don't quite see their present application. Do you mean them to bear in any special way on the Blackmore case?"
"I think they do bear on it very directly. I thought so while Mr. Britton was making his very illuminating remarks."
"I don't see how. In fact I cannot see why you are going into the question of the signatures at all. The signature on the will is admittedly
