CHAPTER IV
TALENT AND GENIUS
There has been so much written about the nature of genius that, to avoid misunderstanding, it will be better to make a few general remarks before going into the subject.
And the first thing to do is to settle the question of talent. Genius and talent are nearly always connected in the popular idea, as if the first were a higher, or the highest, grade of the latter, and as if a man of very high and varied talents might be a sort of intermediate between the two. This view is entirely erroneous. Even if there were different degrees or grades of genius, they would have absolutely nothing to do with so-called "talent." A talent, for instance the mathematical talent, may be possessed by some one in a very high degree from birth; and he will be able to master the most difficult problems of that science with ease; but for this he will require no genius, which is the same as originality, individuality, and a condition of general productiveness.
On the other hand, there are men of great genius who have shown no special talent in any marked degree; for instance, men like Novalis or Jean Paul. Genius is distinctly not the superlative of talent; there is a world-wide difference between the two; they are of absolutely unlike nature; they can neither be measured by one another or compared to each other.
Talent is hereditary; it may be the common possession of a whole family (e.g., the Bach family); genius is not transmitted; it is never diffused, but is strictly individual.
Many ill-balanced people, and in particular women,
