Page:Barchester Towers.djvu/30

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BARCHESTER TOWERS

be forgotten that a law-suit was instituted against him on the matter of that charity by Mr. John Bold, who afterwards married his, Mr. Harding's, younger and then only unmarried daughter. Under pressure of these attacks, Mr. Harding had resigned his wardenship, though strongly recommended to abstain from doing so, both by his friends and by his lawyers. He did, however, resign it, and betook himself manfully to the duties of the small parish of St. Cuthbert's, in the city, of which he was vicar, continuing also to perform those of precentor of the cathedral, a situation of small emolument which had hitherto been supposed to be joined, as a matter of course, to the wardenship of the Hospital above spoken of.

When he left the hospital from which he had been so ruthlessly driven, and settled himself down in his own modest manner in the High Street of Barchester, he had not expected that others would make more fuss about it than he was inclined to do himself; and the extent of his hope was, that the movement might have been made in time to prevent any further paragraphs in the Jupiter. His affairs, however, were not allowed to subside thus quietly, and people were quite as much inclined to talk about the disinterested sacrifice he had made, as they had before been to upbraid him for his cupidity.

The most remarkable thing that occurred, was the receipt of an autograph letter from the Archbishop of Canterbury, in which the primate very warmly praised his conduct, and begged to know what his intentions were for the future. Mr. Harding replied that he intended to be rector of St. Cuthbert's, in Barchester: and so that matter dropped. Then the newspapers took up his case, the Jupiter among the rest, and wafted his name in eulogistic strains through every reading-room in the nation. It was discovered also, that he was the author of that great musical work, Harding's Church Music,—and a new edition was spoken of, though, I believe, never printed. It is, however, certain that the work was introduced into the Royal Chapel at St. James's, and that a long criticism appeared in the Musical Scrutator, declaring that in no previous work of the kind had so much research been joined with such exalted musical ability, and asserting that

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