From the little I have told you about the names of the Formifolk, dear friends, you have no doubt understood that their names took their rise from some physical quality, defect, or peculiarity. Besides the names I have already mentioned, I remember Sharp Chin, Long Nose, Silk Ears, Smooth Palms, Big Knuckle, Nail Off, Hammer Fist, Soft Touch, Hole-in-Cheek, or Hole-in-chin (Dimple), Crooked Hair (Cowlick), and so on, and so on.
But, to my amazement, one day, when asking the name of a young girl whose long and delicate fingers had attracted my attention, I was informed that her name was Singing Fingers, or, possibly, I might translate it Music Fingers.
I had noticed that the Soodopsies had some idea of music, for the children often amused themselves dancing, and, while so engaged, beat time with their finger tips on each other's cheeks or foreheads.
But I was completely in the dark as to what they meant by Singing Fingers, or why the young girl should have been so named; hence was I greatly pleased to hear the maiden's mother ask me whether I would like to feel one of her daughter's songs, as she termed it. Upon my acquiescing, the mother approached me and proceeded to roll up the sleeves of my coat until she had laid my arms bare to the elbow, then she took my arms and clasped them across my breast one above the other.
Bulger watched the proceeding with somewhat of displesaure in his eyes; he had half an idea that these silent people might play some hurtful trick upon his little master. But my smile soon disarmed his suspicion.
Singing Fingers now drew near, and as her sweet face with its sightless eyes turned full upon me I could hardly keep back the tears.
And yet, why grieve for any one who seemed to be so perfectly happy? A smile played around her dainty little mouth, disclosing her tiny silvery white teeth like so many real pearls,
