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The Rev. Mr. Manwaring (in his Memoirs of Handel) hath given us a still more apposite instance, and in the same science.
This great musician began to play on the clavichord when he was but seven years of age, and is said to have composed some church services when he was only nine years old, as also the opera of Almeria, when he did not exceed fourteen.
Mr. Manwaring likewise mentions that Handel, when very young, was struck sometimes whilst in bed with musical ideas, and that, like Mozart, he used to try their effect immediately on a spinnet, which was in his bedchamber.
I am the more glad to state this short comparison between these two early prodigies in music, as it may be hoped that little Mozart may possibly attain to the same advanced years as Handel, contrary to the common observation that such ingenia præcocia are generally short lived.
I think I may say without prejudice to the memory of this great composer, that the scale most clearly preponderates on the side of Mozart in this comparison, as I have already stated that he was a composer when he did not much exceed the age of four.
His extemporary compositions also, of which I was a witness, prove his genius and invention to have been most astonishing; least however I should insensibly become too strongly his panegyrist, permit me to subscribe myself, Sir,
