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gust presence; little Mozart immediately sat down with great confidence to his harpsichord, informing his highness, that he had played before the empress.
At seven years of age his father carried him to Paris, where he so distinguished himself by his compositions, that an engraving was made of him.
The father and sister who are introduced in this print, are excessively like their portraits, as is also little Mozart, who is stiled "Compositeur et Maitre de Musique, agé de sept ans."
After the name of the engraver, follows the date, which is in 1764; Mozart was therefore at this time in the eighth year of his age.
Upon leaving Paris, he came over to England, where he continued more than a year. As during this time I was witness of his most extraordinary abilities as a musician, both at some publick concerts, and likewise by having been alone with him for a considerable time at his father's house; I send you this following account, amazing and incredible almost as it may appear.
I carried to him a manuscript duet, which was composed by an English gentleman to some favourite words in Metastasio's opera of Demofoonte.
The whole score was in five parts, viz. accompaniments for a first and second violin, the two vocal parts, and a base.
I shall here likewise mention, that the parts for the first and second voice were written in what the Italians stile the Contralto cleff; the reason for taking notice of which particular will appear hereafter.
