It was not long before he came to comprehend more fully just what the loss of the old French Opera House meant to the assembly. He heard comparisons made on every hand, regretful allusions, sighs for the days that were no more.
This present building, to be sure, was one of the city's finest, up to date in every way, with an abundance of room—and yet everyone said that Comus would never be the same. About the Opera House had clung the romance of many generations. About it, too, had clung the affections of the people with a fierceness beyond reason. More famous buildings had been allowed to go to ruin, like the Hotel Royale, but the Opera House had been kept in repair for Mardi Gras. It was itself—a landmark. Nothing else would ever be like it.
From his seat in the Lavergne box Gramont contented himself during the early evening with the common rôle of all the "blackcoats"—that of looking on idly. More than once he saw Lucie Ledanois called out, among others of the fair sex, as a dancing partner for some member of the Krewe. None of the male guests, however, was allowed to participate
